Writing

The Missing Corner. In: Eva Sturm (Hg.): Wo kommen wir da Hin? Berlin 2005. 

List of Publications, chronological

Ausgewählt. Bauhaus-Universität, Weimar, 2016.
Invisibilities at the Edges In: Border City. Documentation of and interdisciplinary project in

San Diego (USA) and Tijuana (Mexico). Bauhaus-Universität, Weimar, 2015.

Parameters of Teaching the artist as Global Nomad. In: What I can not know about you,. Bauhaus-Universität Weimar/DAAD, 2015

Process. Not Solution. Text on Democracy, Memorials and Public Art in Kölleda, Thüringia. In print.

Garbage Talk o…

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PhD thesis

(human) milk on paper.

Image source: How to throw the grenade, excerpt from "Do it Yourself Nazi Bashing Guerillia Warfare Manual"

 

"All the work developed before 2010 is part of my preliminary research. It was very important to me to present these because it seemed imperative to show how slowly this has developed, how the idea of ironing milk had been there for a long time but had not been fully developed. Especially since I describe (Elkins)  the „Langsamkeitsschock“ &n…

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Case Study War Memorial Kölleda -

One of the major issues contemporary public art practitioners face when working today is a relatively immobile regional culture considering itself to be as ambiguously benign as somewhat bucolic, even pastoral, connected encountering ideas and workings of growing number of globally more mobile and interconnected individuals, whether they be migrants, tourists or urban nomads.

The project „What is to be done“ began with an inivitation from a citi…

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Tendenziöse Erinnerung an eine

 

Safety Cones, von Dennis Oppenheim

Die Enthüllung einer umstrittenen Doppelskulptur

 

 

Anwesend: ca. 10 % der Herforder Stadtbevölkerung, Kuratoren Jan Hoet und Roland Nachtigäller, der Künstler Dennis Oppenheim, Studierende, Kunstpublikum

 

Die Enthüllung der Skulptur „Safety Cones“ wurde von den Bürgern der westfälischen Stadt Herford, von denen angeblich bis zu 7500[1] dafür anwesend waren, lange antizipiert. Endlich…

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Jellibelly - adjusting our art to your needs

 

Phase II, TESTING, or:
the exploitation of the desire for recognition in employment.

Like the threat of local unemployment due to globalisation, ultimately leading to a devaluation of actual work, a threat of sliding into permanent invisibility is dangling over the heads of artists and other freelancers in the shape of a nebulous mass, infiltrating all social interactions. There is tremendous pressure to prevent falling into obscurity, as there is pressure to prevent falling into unemploy…

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Hairy Buttons als behaarte Accessoires: Männlichkeit und Autorität als modische Prothese

In die Geschichte der "Kunst der Gegenwart" Einfügen? Lisa als Lüpertz, Käthe als Immendorf.

 

Der Mythos des Anzugträgers ist so verführerisch wie der eurozentrische Mythos des Künstlers und wird als übergeschlechtlich und dekontextualisierte Wahrheit über geniale Bilder/künstlerische Arbeiten und hervorragend sitzende Herrenanzüge transportiert, die Autorität besitzen und tragen. Modern und rational werden diejenigen, die diese Figura…

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